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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
The Arturia 2600 V is a meticulous recreation of the coveted semi-modular classic. Responsible for some of the most recognisable sounds from 70s funk to distinct special effects. Utilising powerful True Analog Emulation (TAE) modelling technology, the 2600 V is indistinguishable from the original. Work through the same normalled signal path that brings great sounds with ease, and plenty of potential for experimentation with patch cables.
Now in a modernised plugin with enhancements that bring the 2600 up to par with contemporary standards. Experience endless pattern creation with the faithful reproduction of ARP's classic 1601 sequencer in the ARP 2600 V, which supports up to 32 voices of polyphony and features a Unison mode for massive sounds. Enhance your audio with rich chorus and tempo-synced delay, accessible beneath the left "speaker." Customize up to four curves and integrate any signal for expanded modulation options. Utilize the fully patchable LFO, which syncs to the master tempo, without occupying a main oscillator. For a truly expressive ARP 2600 experience, connect velocity and aftertouch to any destination.
The versatile sound, featured in iconic tracks like Herbie Hancock's "Chameleon" and Weather Report's "Birdland," has captivated artists across various genres. Esteemed musicians such as Stevie Wonder, Josef Zawinul, Tony Banks of Genesis, and Martin Gore of Depeche Mode have all embraced this remarkable sonic versatility, showcasing its ability to deliver exceptional results in various musical contexts.
Product Ref: 254522
Everything about the seemingly complex interface of the 2600 V is meticulously designed to grant an understanding of the synthesis concepts at play in the unit. With a straightforward signal path that takes you from one module to the next and simple light-up patching systems that highlight all eligible patching points, it is easier than ever to make all the sounds you can dream up.
Within this timeless interface, you will find three alias-free TAE model VCOs, an expanded filter with 24dB and 12dB lowpass, 12dB bandpass and highpass, and notch modes, four voltage processors that let you combine audio or modulation signals for unique sound design possibilities, stereo reverb, sample and hold, as well as comprehensive DAW integration envelope following capabilities.
With a range of exclusive features the 2600 V fits smoothly into your workflow while remaining faithful to the original. Fully integrated vintage sequencing helps you to seamlessly create interesting patterns that'll keep listeners hooked. Upgraded from simple monophonic synthesis, the 2600 V supports polyphony up to 32 voices, with Unison mode to build huge sounds. Bring rich chorus and tempo-synced delay to your sounds with hidden effects just under the left 'speaker'. Create up to four custom tracking generator curves for patching through complex modulation options. Don't sacrifice that signature sound by using a main oscillator to modulate, with a bonus LFO to take on all the modulation duties you'll need your main oscillators are free to sing. Finally, express yourself with velocity and aftertouch patching points, bringing previously unheard-of dynamic range to your sounds.
The ARP 2600 offers a diverse range of sounds, from powerful sub-bass tones to mesmerizing pads and captivating sound effects, all easily accessible through its flexible patching capabilities. Its impressive versatility even contributed to the iconic R2D2 sounds in the first generation of Star Wars, as sound designer Ben Burtt combined his voice with the ARP 2600's unique bleeps and bloops. These iconic sounds can be taken further into unexplored sonic territories thanks to the range of built-in FX such as reverb.
Using proprietary modelling algorithms, the 2600 V is able to recreate the iconic instruments down to the component parts to create unrivalled realism and immersion. Unmatched in analog emulation, the 2600 V is powered by TAE and Phi technologies. TAE offers component-level modelling to accurately present the characteristics and behaviour of the instrument, whilst Phi's state-of-the-art physical modelling brings the acoustic properties into the virtual world for hyper-realism. The result is truly a next-level sound that is indistinguishable from the original to add to your productions.
"This plugin is especially useful when I am looking to recreate the nostalgia of 80's music. There are so many special presets that instantly spark creativity. It's also amazing for tweaking and designing unique patches." - Omar Walker (Producer)
"The ARP 2600 V is, of course, a classic synth with a classic layout. Everything's there in front of you. It's one of those few synths that will do almost anything I want it to." - Mason (DJ/Producer)
"I love the Arturia ARP 2600 V because it not only sounds great, but I can instantly recall complex patches anywhere in the world." - Chad Hugo (Neptunes)
