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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
The D16 Group Redoptor 2 Vintage Tube Distortion delivers the warm and organic sound of a classic tube amplifier to your tracks in a plugin format for your DAW. A high-quality emulator with immaculate attention to detail, the Redoptor 2 can transform your sounds by adding grit, character and harmonics to create a wall of sound through overdrive and distortion. Accurately recreating the gentle, natural compression and rich blend of odd and even harmonics from an analog tube circuit, the Redoptor 2 will bring excitement and punch to your tracks that translate to the listener to keep their attention.
A host of modern features make this the ultimate plugin to achieve saturated and overdriven tones, including an input compressor to tame the dynamics of your signal before it passes through the overdrive circuit, an output limiter to reduce any peaks in volume before your signal is passed through your signal chain and a musical four-band EQ to tailor your sound to your mix.
A must-have for all mixing engineers, the Redoptor 2 Vintage Tube Distortion allows you to express your creativity, regardless of the musical genre or instrument. No signal is off-limits, from crunching bass guitar, saw-like synthesizer leads, explosive drums and punchy vocals, the Redoptor 2 will deliver smooth analog overdrive that will take your mixes to the next level.
Product Ref: 183908
The physical characteristics of a hot vacuum tube being pushed into overdrive is not an easy feat to replicate in the digital realm due to the non-linearity of the changes and effects on your signal. Redoptor 2 uses advanced DSP algorithms to accurately mimic the behaviour of these complex analog circuits down to all the small interactions that happen between your signal and the tube amplification, capturing the quirks and subtleties of each individual element of the signal chain. Additionally, the Redoptor 2 features a tube bias parameter, allowing you to virtually adjust the transient shaping of your signal.
Where a traditional analog preamp stops, the Redoptor 2 continues. Expanding on what is possible with conventional hardware preamplifiers, the Redoptor 2 gives you more flexibility and customisation than ever before, allowing you to fine-tune your signal processing to perfection depending on your audio source. From insert points (pre or post) on the high and low-pass filters to a versatile dynamics control and sweepable overall brightness dial, you can shape the character and tone of your signal with complete control.
Where most preamps rely on a fixed graphic EQ for their tone shaping, the Redoptor 2 Vintage Tube Distortion features an extremely flexible parametric EQ with independent gain controls and frequency bands for each of the four bands. Perfect your timbre to fit the mix you're working on and carve out a frequency response from subtle thickening to lo-fi sounds or simply hunt for resonant peaks that stick out within your tone and get your signals under control.
In order to meet the demands of modern mixing engineers, the Redoptor 2 is a fully-featured "true stereo" plug-in with independent paths for each channel in your signal. Now, you can process your left and right channels independent from each other to get the best sound from your audio source. For example, you can process the left and right channels of a stereo set of drum overhead microphones differently to add more or less harmonic distortion depending on the volume and tone of each cymbal within the stereo spectrum or send the treble notes of your stereo synthesizer signal into searing overdrive whilst leaving the lower register untouched and natural.
Adding overdriven tube distortion to your signal will inherently add a healthy dose of compression to your signal due to the level of distortion applied to your signal, therefore the Redoptor 2 features a creative solution for taming your dynamics with a pre-gain compressor and post-gain limiter. The pre-gain compressor is perfect for taming the dynamics of your signal before hitting the vast levels of overdrive to keep your signal consistent, meaning you avoid any loud, distorted peaks in certain regions of the frequency spectrum. This will give your sound a consistent and professional sound with more headroom to mix the rest of your tracks with. Once you have processed your sound through the tube distortion circuits, the master output limiter tames any pokey transients that can make your signal jump too far out of your mix, letting you glue your master tracks with more volume.
