Unsupported Browser
The web browser that you are currently using is no longer supported, and as such features of this website may not work as expected. We advise you to update to a currently supported browser (such as Chrome, Edge, or Firefox) to improve your security, speed, and overall experience.
Once confirmation has been received that your payment has been successful from your chosen payment method provider, then we can process your order and send your email containing your unique code and instructions on how to download the software from the Supplier.
When completing the checkout, please make sure that your email address is accurate so that we can get this to you as quickly as possible.
14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Spread your payment with Klarna. No fees.
Split the cost into 3 equal monthly payments of €34.93 - interest free
Key Features
The Arturia Chorus DIMENSION-D is an indistinguishable plug-in emulation of a studio classic chorusing processor. Enhanced for modern producers, DIMENSION-D includes all four modes, augmented with four switchable oscillator shapes, four dynamic colour modes, stereo width control and a wet/dry mix knob. Maintaining the stripped-back interface, no menu-diving is required to instantly unlock iconic chorus sounds.
Product Ref: 254452
The original Dimension D, introduced in the late '70s, offered an ultra-simple solution to the problem of spaciousness in a mix. For many producers, however, it transcended its original purpose. The gentle and subtle swirling effect can transform a bland mono source into an exciting stereo sound, filled with movement and density.
Now available as a plug-in, DIMENSION-D lets you experiment with processing just about any sound you can think of through the processor. Solo vocals can be made to sound like entire ensembles, and brass and strings can be transformed from solo pieces to entire symphonies and that's just the beginning.
Vocals, naturally, can take great advantage of a chorus unit, especially background vocals. But lead vocals too can benefit from the extra dimension added by a good chorus unit. We've already mentioned the ensemble sounds, but keyboards in general can grow a lot with the addition of a chorus. Organs (of course - of any kind), but also pianos, especially the electric piano.
Longer delay values in the chorus effect can work well to create the illusion of a double performance, and this takes us back to the solos (as in guitar solos), which may sometimes be "doubled" with a chorus unit. But you can use chorus pretty much anywhere and in many ways. Experiment extensively. Use your imagination!
Stripped back and simplistic, Arturia Chorus DIMENSION-D models all four modes of the hardware original. Gradually raising in intensity, each of the modes presents a different modulation rate to suit different requirements. New to the DIMENSION-D is the "0" mode, what would typically be the bypass on the original has been repurposed for even more sonic variation. Mode 0 sends the audio through the internal compressor/expander circuit but bypasses the BBD circuit. This will result in a change in sound without the chorusing effect and is very useful for adding subtle professional polish to your sound.
Moving to Mode 1, this has the least subtle effect with roughly half the delay times of the other modes, making it ideal to be used as an 'always on' effect for instruments such as vocals, guitar or bass. Mode 2 increases the chorus intensity and creates a much more audible modulation than Mode 1. This mode can be ideal for adding movement to strings or synthesizer pads, widening the stereo image and creating space in your mix. Mode 3 reduces the delay time in the BBD circuit but increases the LFO intensity, pronouncing the effect even further. Lastly, the "secret" switch which didn't exist in the original but could be found when all three buttons were pressed in. Mode 4 injects more wet signal to the output, increasing the intensity of the effect by a gain increase, suitable for whenever deep modulation is required as a creative effect.
Careful not to overdo it, Arturia has implemented a curated range of enhanced features that offer more flexibility than what was possible on the original hardware unit, without interfering with the streamlined interface and workflow.
Found in the Advanced drop-down panel, DIMENSION-D includes four new controls; Oscillator shape, dynamic colour, width and mix. For contemporary producers and musicians, these new additions present opportunities to explore more tones than where possible on the original, while not taking away from the core sound of the hardware.
Four Oscillator Shape switches let you alter the waveform of the integrated LFO to add different kinds of movement to the chorusing applied to your sound. Here, you can find sine, ramp, sample and hold and sample and glide waveforms. Perfect for adding movement to static pads or background vocals.
Four Dynamic Colour modes alter the behaviour of the internal compressor/expander sections of the signal chain, altering the attack, release and decay times. While subtle, altering these could be the final piece of the puzzle to get your modulation just right in a mix. LF SAT 2/1 modes have shorter time constraints, resulting in slighter higher saturation values. The Default switch adds no dynamic colour and maintains the sound of the original in its exact form. Lastly, Smooth creates slightly longer time constraints for a more rounded and gentle modulation.
Capable of being used in either mono or stereo modes depending on the incoming signal, Arturia has added a simple Width control, where you control the wideness of the stereo field.
Often overlooked, the Mix dial is a necessity for modern DAW-based producing. However you prefer to mix, you can use the Chorus DIMENSION-D either as an insert or as an AUX send and set it to fully wet. The Mix control also allows for experimenting with parallel processing to blend in a small amount of your wet or dry signal internally.
Using proprietary modelling algorithms, Chorus DIMENSION-D can recreate the iconic effects down to the component parts to create unrivalled realism and immersion. Unmatched in analog emulation, Chorus DIMENSION-D is powered by TAE and Phi technologies. TAE offers component-level modelling to accurately present the characteristics and behaviour of the effect, whilst Phi's state-of-the-art physical modelling brings the acoustic properties into the virtual world for hyper-realism. The result is truly a next-level sound that is indistinguishable from the original to add to your productions.
"A perfect combination is the CS80 V with the Chorus Dimension D "Glitchy Vibe" preset on top. It's put a modern twist on a classic synth" - Jacob Wilkinson-Smith (Producer / Recording engineer)
"The subtle widening of the Dimension D has always been one of my favourite effects, and Arturia nailed it." - Max Mitchell (Keyboardist / Producer)
"The Chorus Dimension D has taken its place in my mixing template and I use it on vocals, guitars and other instruments on a daily basis to give them more width when needed. By far the best chorus effect out there." - Thiago Baggio (Recording and Mixing engineer)
"Chorus Dimension D, what more can I say? It sounds like the real deal with the added bonus of having a wet/dry control. Absolute winner." - Cecil Bartlett (Producer / Mixer / Engineer)
