Unsupported Browser
The web browser that you are currently using is no longer supported, and as such features of this website may not work as expected. We advise you to update to a currently supported browser (such as Chrome, Edge, or Firefox) to improve your security, speed, and overall experience.
Key Features
The Rode PinMic Lavalier/Lapel Microphone is the definition of subtly. Its discreet pin-through design keeps out of sight, making it perfect for any application where you need a professional appearance. But don't be fooled. Though small in size, it boasts huge, defined sound, with impressive speech intelligibility. Clip to any article of clothing and get your voice heard with the omnidirectional polar pattern.
From film and television to conferences and houses of worship. The PinMic is always a perfect fit. Simply mount by pushing the backplate pins through the fabric of your clothing before sliding the removable capsule into place. The results are obvious. Secure microphone placement without cables and electronics getting in the way.
Enjoy universal connectivity from RODE's MiCon connector system, total reliability from a reinforced Kevlar cable, and customisability from a paintable mesh capsule. The PinMic also comes with a range of essential accessories so you can get to work straight out of the box.
Product Ref: 36697
"So basically, the PinMic is a detachable capsule head (which come as standard in black and silver) with three 'pin-size' holes drilled into the back - a reinforcement plate (with the Kevlar cable connected to it) holds three pins, which in-turn fit into the holes in the rear of the capsule. This enables the microphone to be positioned in the optimum location - regardless of aesthetics and clothing issues - not only that, it also allows the cable to run down the inside of the clothing and removes the need for a crocodile clip to hold the mic in place. On the face of it - the idea looks promising - but is Rode's first lavalier/headworn/pinable capsule up to scratch?
Well, yes - unsurprisingly. I tested it in a few locations, the first being an acoustically treated studio - without the ambient distractions there I could really explore the mic - it's got a nice full frequency response, with good bass coverage and a smooth high-end - unlike many traditional lavaliers. Next up was a cathedral - with a reverb time of 3 seconds, it did indeed pick up quite a bit of the 'room', but then it is an omni - what can we really expect? Lastly, we had a sports stadium - when using the included 'mini-dead cat' it picked up no wind noise whatsoever, and was as clear as possible." Behind the Mixer