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Key Features
As the competition to develop and market affordable and professionally built solid body electric guitars was heating up in the mid-1950s, Gibson guitars branched out into new directions that would eventually yield a wide variety of new and innovative Gibson products at various price points. Among those new products was the Les Paul Junior single cutaway guitar, which quickly became Gibson's best-selling model and the instrument of choice for such legends as Leslie West, Steve Marriott, Keith Richards, Mick Ralphs, Mick Jones and Paul Westerberg.
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Product Ref: 13279
As the competition to develop and market affordable and professionally built solid body electric guitars was heating up in the mid-1950s, Gibson branched out into new directions that would eventually yield a wide variety of new and innovative Gibson products at various price points. Among those new products was the Les Paul Junior single cutaway model, which quickly became Gibson's best-selling model and the instrument of choice for such legends as Leslie West, Steve Marriott, Keith Richards, Mick Ralphs, Mick Jones and Paul Westerberg.
Gibson's Traditional Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The rounded neck profile on the Les Paul Junior emulates the neck profiles most commonly found on Gibson's iconic Les Paul models of the late '50s. As with all Gibson necks, it is machined in Gibsons rough mill using wood shapers to make the initial cuts. Once the rosewood fingerboard gets glued on, the rest - including the final sanding - is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of the rounded neck profile, each neck will be slightly different, with a distinct but traditional feel.
22-Fret Rosewood and Ebony Fingerboard
Ebony and rosewood has always graced the fingerboards of the worlds finest stringed instruments, including many of today's Gibson's. The fingerboards on the Les Paul Juniors are constructed from the highest grade ebony and rosewood on the planet, and are personally inspected and qualified by Gibsons team of skilled wood experts before it enters the factories. The resilience of these dense and durable woods make the fingerboards extremely balanced and stable, giving each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes, common occurrences on fingerboards with lesser radiuses. Rosewood fingerboards are available with the Satin Vintage Burst and Satin Cherry finishes, and ebony fingerboards are available with the Satin White finish.
Vintage-style Wraparound Bridge/Tailpiece
A classic piece of hardware, the wraparound bridge/tailpiece on the Les Paul Junior offers a simplicity and functionality that is hard to match. It provides a firm seating for the strings, allowing the player to adjust intonation and string height as needed, and yielding an incredible union between the strings and body, resulting in excellent tone and sustain.
Classic Dot Inlays
The classic dot inlay is one of the most distinguishable features of many traditional Gibson models, including the Les Paul Junior. A figured, swirl acrylic gives these inlays that classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers.
One-piece, Solid Mahogany Body and Set-Neck Construction
Two of the most central features of the Les Paul Junior are its one-piece, solid mahogany body, and its set-neck construction, or glued neck joint. Like the majority of Gibson's classic guitars, the neck of the Les Paul Junior is set into the bodys neck cavity using glue, which ensures a "wood-to-wood" contact, no air space in the neck cavity, and maximum contact between the neck and the body, thus allowing the neck and body to function as a single unit. The result Better tone, better sustain, and no loose or misaligned necks. As with all Gibson woods, the regimen involved in selecting the right body wood and the formula to dry it out is extensive. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. These onsite inspectors also ensure that the plain maple comes from corporations adhering to the forest-saving standards of the Rainforest Alliance, of which Gibson is a proud member and sponsor. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the wood's machinability and finishing properties, and adherence to glue. Consistent moisture content means that every Les Paul Junior will respond evenly to temperature and humidity changes long after it leaves the factory.
Gibson's Legendary P-90 Pickup
The legendary P-90 - introduced in the early 1950s - is Gibsons truly legendary single coil pickup, and offers the soulful, classic tone that only a P-90 can. Delivering more warmth than a standard single coil pickup, with higher output and sweet treble response, the P-90 continues to be one of the most popular pickups today, offering a distinct and powerful tone that remains unmatched in the face of relentless impersonation.
Body
Neck
Fingerboard
Electronics
KORG Pitchblack Tuner
A new chromatic floor tuner with a large LED display makes this the must-have item for the guitarist or bassist.
High precision and advanced functionality and sleek style make this new guitar/bass pedal tuner from Korg our most advanced yet. The pitchblack is the same size as a compact effect unit, and features a tough aluminum die cast body that will endure hard use on the road or in the studio. While small in size, it boasts a large; easy to read LED meter with a light-emitting surface for excellent visibility in any setting from daylight, to stage light to no light as well as an extremely smooth eleven-segment LED meter that allows accurate visual tuning from any angle. With a red LED that indicates the tuner's on/off status, a large note name display, and a tuning guide that indicates whether your instrument is sharp or flat, you'll always be able to tune quickly and accurately in any situation. The pitchblack provides a tuning range of E0 (20.60 Hz) to C8 (4,186 Hz), and adjustable calibration between 436--445 Hz.
Four display modes.
The pitchblack s LED meter can be switched between four display modes including: Meter, Full Strobe, Half Strobe, and Mirror.
1. Meter mode
Similar to using a needle meter, tune your instrument so that the green LED in the center of the LED display lights and both tuning guide LED s are lit. The tuning LED s will be to the right of center if your instrument is sharp, and to the left of the center if your instrument is flat.
2. Full Strobe mode
Tune your instrument so that the LED meters stop streaming and both tuning guide LED s are lit. The LED meters will stream from left to right if your instrument is sharp and from right to left if your instrument is flat.
3. Half Strobe mode
Tune your instrument so that the LED meters stop streaming and only the green LED in the center is lit and both tuning guide LED s are lit. The LED meters will stream to the right of center if your instrument is sharp, and to the left of center if your instrument is flat. When the pitch is correct, only the center LED will be lit.
4. Mirror mode
Tune your instrument so that the two LEDs on the left and right sides of the center LED meet in the middle and both tuning guide LED s are lit. The pitch lit LEDs will spread farther apart the more your instrument is out of tune. The left tuning guide will light if your instrument is flat, and the right tuning guide will light if your instrument is sharp.
True Bypass output keeps your tone intact.
The pitchblack mutes the input signal for silent tuning, and when you re not tuning the input is passed directly to the output jack without being affected by any circuitry (True Bypass). So even if you connect the pitchblack between several of your favorite pedals, the signal will pass without going through the internal buffer amp, ensuring that the sounds you've created using your effects will not be colored in any way. The pitchblack is designed to coexist transparently with other effect pedals.
A perfect fit in your pedal board plus the DC output powers other pedals.
The pitchblack is designed to fit conveniently into your pedal board system. It provides a DC OUT jack that can supply power to other effect pedals when the optional AC adaptor is used. By connecting optional DC cables, you can supply up to 200 mA of power to multiple effect pedals, simplifying the power connections in your pedal board.
The new standard in pedal tuners.